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2015-08-04

PENTAGRAM - Interview, August 2015

EMAIL-Interview - 08-2015 




Unedited email interview with PENTAGRAM vocalist Bobby Liebling for the band's new album "Curious Volume" - 3 August 2015





Das ungekürzte Email-Interview mit PENTAGRAM-Sänger Bobby Liebling zum neuen Album "Curious Volume" vom 2015-08-03



Hi Bobby, thank you for taking the time to answer a few questions. I’m in Hamburg in Germany, where are you writing this from?
I am in my home which is outside of Washington, DC.  I am all alone, per usual.  Just me and some music playing…

Congratulations on a great album. I really enjoy listening to this. I love the diversity of the song material. My current favourites are “Lay Down and Die”, “Dead Bury Dead”, “Misunderstood” and “Because I Made It”.
I love how you’ve chosen a variety of songs that are your favorites, songs new and old.  This is the idea behind the “curious volume” of songs on here.  We chose songs which we felt covered all aspects of the near 45 year history of the band.  You get the old 70’s song such as “Lay Down and Die”, “Sufferin’” and “Earthflight”.  You get our punk song, “Misunderstood” from the 80’s.  You get “Because I Made it” which was a demo song from the early 90’s and then we have our six new songs such as “Walk Alone”, “Dead Bury Dead” and so on. It’s my favourite Pentagram album, I’m very excited to play some of these songs live for the first time.

For people who haven’t heard it yet, could you describe the album in your own words? Also: Where and how does it fit in with your previous releases?
The record is like most of my albums, there is a good portion of songs that I wrote during my heyday between 1970 and 1976.  The other half of the album are newer songs written by the band as a whole.  I feel that this album covers our history, from our beginning as a hard rock band who accidentally helped invent heavy metal, to the band we were in the 80s: A metal band who were working to cut out our own style of doom metal. In the end, it’s only rock n roll.  The basis of rock n roll is the blues, what I call “downer music”.  Nothing is more downer than being doomed.  This album is a doomed rock n roll record, a curious volume indeed.

How long have you worked on this album? Writing? Recording?
The recording was the longest process. We planned on recording during a two week period but we got lots of road blocks from the studio we booked not being ready for work. To our drummer quitting during the session, which meant that we needed to re-record all the drums once we finally found a new drummer, to us having to go way over budget because of all these reasons.  We had to record where and when we could so that meant 5 different studios in 4 different states....man.  It took months.  Our producer, Mattias Nilsson, is a well-known Swedish sound engineer and he had to go on a few long tours in the middle of working on the album.  Victor and Greg wrote 6 songs for the album, actually about 8 songs but 6 made it on the album.  They wrote those under pressure, which is where they do their best work. So I guess that worked out fine.  If they had known they’d have four months to write, maybe the songs wouldn’t be so good.

Which song is the oldest of the bunch, which one the newest?
The newest was maybe “Curious Volume” or “Devil’s Playground”, I forget.  The oldest is “Earthflight” and “Sufferin”....maybe a tie with “Lay Down and Die” which was originally titled “Baby, Baby, Lay Down and Die”.  We wanted to make it sound more simple and we felt that if we left the “baby, baby” in there, it wouldn’t leave the lyrics as open to interpretation.

Tell me about the cover artwork. That’s an interesting image. How does it fit in with the music and the lyrics?
The album title was taken from a line in the Edgar Allan Poe poem called “The Raven”.  I wanted to use the whole line from the poem, “A Quaint and Curious Volume of Forgotten Lore”.  The band convinced me to shorten it.  I think both words “Curious” and “Volume” can mean many things and many things that fit the band’s history as well as the collection of songs on the album.  We asked Richard Schouten, the artist, to come up with something original.  He read the poem, listened to the songs and turned in the robot raven.  I think the artwork, just like the songs on the album, give the listener something to dream about, something to wonder about.  The artwork fits Poe, it fits the songs and it also leaves things open to the imagination.  It also fits Pentagram and our overall Halloween-theme.

Tell us a little about how the band is set-up. Are you the definitive band leader or is this more of a democratic group?
I am the godfather of this band.  Geof O’Keefe and I came up with the idea of forming a band that we wanted to hear on Halloween night, 1971.  Our first rehearsal was on Christmas night of that same year.  With that said, this is very much a band.  We are a family, “the ram family” as we refer to ourselves.  We have people outside of the musicians such as our general manager Sean “Pellet” and Klaus Koschell of Vibra Agency who tour manages and books us in Europe.  I make the final decisions but the band business is run by Greg Turley and Pellet, Greg is more of the rehearsals and doing the budgets, he really works hard for us amongst being a great bass player and songwriter.   Pellet works with the profile of the band and works on opportunities for us among other things.  Klaus guides us on the road, he is the only tour manager that I will take order from.  I respect him very much.  I will say that I love this line up.  Victor is my brother.  He was a teenager when we started working together.  His nephew is Greg Turley who is the son of his sister.  We are all very close and we take care of each other and we also fight like cats and dogs of course but we come together as a family.  We are very lucky to have each other.  Our new drummer Pete Campbell has got good groove and is fun to be around which is more than I can say with some of our past drummers.  I want this line up to be our final line up.


Pentagram is notorious for the many line-up changes you had to endure. Are you confident the current line-up might stay on a while?               
I think I’ve got one or two more years of doing this.  I believe that we’ve found our final line up.  I should say that the door is always open for Victor to tour or not to tour.  We are lucky to have Matt Goldsborough always ready to step out on stage with us.  I hope at one point that both he and Victor can be on stage together.  I’ve always wanted two guitar players. I had that a few times in the 70s and I hope to again.

I hear Peaceville Records might finally release a DVD of the documentary "Last Days Here" here in Europe. Were you always completely fine with that film? Almost everybody thought it was very good and it was quite popular when it was on TV over here. But it also shows you in a few very vulnerable/unflattering situations…
Yes, Peaceville will be releasing the film. It really was produced by Pellet but he doesn’t get the written credit as he should.  Neither one of us saw any money from it but it does spread the word of the band so I do feel fortunate.  I do wish that it was more about the band and the music but I now see how it not being a “rock-u-mentary” has helped the film and therefore the band.  It’s a story that a lot more than metalheads can relate to.  It is very painful for me to watch. I really was almost dead when they started shooting.  Pellet told me that he didn’t think he’d get to finish the movie once he started. I think the film serves as a reminder to me of how far I can fall.  I’m blown away that people such as Steven Tyler, Ozzy Osbourne, Eddie Vedder, Judd Apatow, Jack Black and on and on have seen and loved the film!   I think it has brought us a lot of new fans and I am very grateful.  But I am not embarrassed to much, I’ve always shown myself in my lyrics, this was just the next step.

I know you found God a few years ago and you changed your life style dramatically. Is that something most fans approve of or are there the ones that don’t get it and are taken aback by these changes?
Well, it is a personal thing but I’ll say this.  I’ve always been attracted to the dark and I’ve always attracted the darkness to me.  I feel the most comfortable in dark places.  I have seen first hand however how the dark can eventually eat you alive.  Read the lyrics to our song “8” ( “Ain’t no light in a tunnel that’s a figure eight”) off of “Last Rites” and then let the title of another one of my songs,  “Review Your Choices” always ring through your mind.  As far as the fans who don’t understand that I’ve seen “the light”....well, if they were true fans, they wouldn’t give a shit.  I want everyone to choose their own path.  I sing about choices, only you write your “Last Rites”.   I am not one to preach, I struggle with choices every day of my life.  I wish all my fans the very best and I truly love you all.  As far as God goes, well, something, someone has kept me here.  There is no good reason as to why I’m still alive.  I just feel very fortunate and I want to enjoy my fans and my family as long as I can.  I think I have a few years left to go.  Come on out and see me while we are both on this earth.

You recently finished a tour of Germany. And you’ve been over here several times in recent years. Do you have any particular memories or feelings about touring Germany, about the people or the place in general? Good or bad – you can be honest here. ;-) 
I will be deadly honest.  I- LOVE - GERMANY!  We all do.  Germany is one country, along with Sweden, that I feel really, really got us, really understood us and loved us before anyone else….especially the US.  I feel very fortunate every time I step on German soil.  Our booking agent is from here but that is not the only reason we tour Germany more than anywhere else, we love Germany.  I have had a few bad experiences but that was my own fault when I was slipping and got mugged and robbed.  I told you that I’m attracted to the darkness but for us, Germany is the light.  We love you and I hope to see you all very soon!  Pick up the new album, we want to play you some new songs and I want you to sing along.

Interview: OLIVER KUBE

PENTAGRAM
Curious Volume
Peaceville
2015-08-28
pentagramofficial.com 

2013-01-19

THE SCRIPT - Interview, Januar 2013

HAMBURGER MORGENPOST - 01-2013

Das ungekürzte Interview mit Gitarrist Mark Sheehan vom 2013-01-09:


MoPop: Hallo Mark, ihr drittes Album erscheint hierzulande am nächsten Freitag (25. Januar 2013). Im Rest Europas und in Nordamerika ist es bereits seit letztem Herbst erhältlich. Wo liegen die Gründe für diese Verzögerung?
Mark Sheehan: Wir haben die Veröffentlichung absichtlich zurückgehalten. Deutschland ist nach den USA und noch vor Großbritannien der zweitgrößte Markt für Popularmusik. Auch wenn wir bereits Achtungserfolge und diverse fast schon rührend loyale Fans gewinnen konnten, haben wir es in Germany noch längst nicht geschafft, den Status zu erreichen, der uns vorschwebt. Deshalb wollten wir zusehen, dass dieses Mal wirklich alles passt. So haben wir gewartet, bis wir eine Reihe von Liveterminen buchen, in den Medien präsent sein und uns um den Veröffentlichungstermin herum wirklich voll auf Germany konzentrieren können.

MoPop: Dazu zählt auch, dass Sie die Titelmusik zu "Kokowääh 2" (Kinostart 07. Februar 2013) der Fortsetzung eines der erfolgreichsten Filme des hiesigen Kinostars Til Schweiger, beisteuern. Haben Sie den Film schon gesehen?
Sheehan: Leider nur in Ausschnitten. Aber, das was ich gesehen habe, ist super. Ich bin sicher, dass "Kokowääh 2" ein Riesenhit wird.

MoPop: Wussten sie denn vorher überhaupt wer Til Schweiger ist?
Sheehan: Ehrlich gesagt, beim Namen allein nicht. Als ich dann ein Foto von ihm betrachtete, wusste ich aber gleich, dass ich ihn bereits in einigen Hollywood-Blockbustern wie "Inglourious Basterds" oder dem zweiten Lara-Croft-Film gesehen hatte. Seine deutschen Werke kenne ich allerdings nicht. Wir haben uns dann informiert, wie populär er bei euch ist und fühlen uns sehr geehrt, dass Til uns für seinen Streifen ausgewählt hat. Ich hoffe wir können ihn bei der Premiere in Berlin näher kennenlernen.

MoPop: Sie haben bereits mehrfach in Hamburg gespielt. Haben sie eine spezielle Erinnerung an unsere Stadt?
Sheehan: Abgesehen davon, dass es bei euch mindestens genauso viel regnet wie in meiner geliebten Heimat Dublin? (grinst) Ja, wir haben nach einem Konzert noch mit ein paar Fans einen Kiezbummel gemacht. Es war toll zu sehen, wie die Leute einfach draußen auf den Straßen feiern. Auch das ist wie zu Hause. Allerdings fiel mir auf, dass hier die Einheimischen und die Touristen zusammen einen drauf machen und nicht jeder für sich. Das hat mich wirklich positiv beeindruckt. Ihr habt hier eine tolle Stadt mit sehr sympathischen Menschen.

MoPop: Woran mag es denn liegen, dass die Deutschen sie noch nicht in dem Ausmaß in ihr musikalisches Herz geschlossen haben? Im Rest Europas, in den USA und sogar in Fernost und Australien, füllen sie riesige Hallen und fahren regelmäßig Edelmetall für ihre CDs ein.
Sheehan: Tja, wenn wir das wüssten, hätten wir diesen Umstand schon vor Jahren gerade gebogen. (lacht) Ich kann es mir wirklich nicht erklären. Eigentlich herrscht in Deutschland eine perfekte Ausgangsposition für uns. Fast alle hier sprechen Englisch, im Radio läuft jede Menge internationaler Sound, die Menschen sind total musikbegeistert und dabei extrem aufgeschlossen. Das haben wir bei unseren Konzerten immer wieder erfahren. Ich denke, wir hatten bisher einfach nur Pech oder waren zur falschen Zeit am richtigen Ort. Aber das ändert sich jetzt. Da bin ich sicher.

MoPop: Mit der aus dem Album ausgekoppelten Single "Hall of Fame" ging es ja bereits gut los.
Sheehan: Allerdings. Das hat uns sehr gefreut. Wir nehmen diesen zweiten Platz in den Media Control Charts als ein gutes Omen.

MoPop: Bei dem Song kollaborieren sie mit US-Rapper Will.I.Am von den Black Eyed Peas. Wie kam es zu dieser Zusammenarbeit?
Sheehan: Unser Sänger Danny ist ebenso wie Will Jury-Mitglied bei der TV-Show "The Voice UK" (dem britischen Pendant zu "The Voice Of Germany", Anm. d. Autors). Die beiden haben sich auf Anhieb super verstanden und wollten unbedingt etwas zusammen auf die Beine stellen. Wir waren mit den Aufnahmen für unser drittes Album eigentlich schon fertig, als ich ihnen mein Demo zu "Hall of Fame" vorspielte. Die beiden waren sofort Feuer und Flamme und wussten, dass sie ihr gemeinsames Projekt gefunden hatten. Sie haben spontan einen Text geschrieben und kurz darauf haben wir den Song eingespielt. So schnell kann es manchmal gehen, wenn der Funke überspringt.

MoPop: "#3" hat in der britischen Presse sehr schlecht abgeschnitten und wurde fast einstimmig verrissen. Ärgert sie so etwas?
Sheehan: Nein, überhaupt nicht. Ich kenne einige englische Kritiker persönlich und weiß, wie sie arbeiten. Viele von ihnen hören sich die Platten, über die sie schreiben, gar nicht erst an. Keine Ahnung, was wir irgendwann mal falsch gemacht haben und weshalb ihnen unsere Nasen nicht gefallen. Aber egal. Wichtig ist allein, wie die Fans auf eine Platte reagieren.

MoPop: Die scheinen "#3" zu mögen…
Sheehan: Allerdings. Wir haben in Irland und Großbritannien verkaufsmäßig sowohl The Killers als auch Muse, die zeitgleich ihre Alben heraus gebracht haben, locker abgehängt. Das sagt doch alles, oder?

Interview: OLIVER KUBE

THE SCRIPT
#3
Phonogenic
2013-01-25
thescriptmusic.com 


THE SCRIPT FEAT WILL.I.AM "Hall of Fame"